March 26, 2018

N Ramani: La Flute de N Ramani [ESP 165516] an LP released in France in 1978

This was the 7th in a line of very distinguished LPs of Indian music released by Disques Esperance with the assistance of the French Association of Friends of the Orient. 

The AT-440MLb cartridge was having some difficulty with this slightly warped record. I recorded the entire LP only to listen on headphones and hear a high shrieking sound in the right channel intermittently throughout the first few minutes of each side. So I re-recorded it with the M97xE and there was no shrieking (thankfully).

It's a little amusing to see the differences between the names of the tracks on the label and the back cover -- I think maybe someone's handwriting was difficult to decipher.






N Ramani: flute
Paighat R Raghu: mridangam
Joanne: tanpura

Equipment used in transfer: 
Preparation: Ultrasonic cleaning for 20 minutes in pure clean water
Turntable:  Audio-technica AT-LP-1240
Cartridge: Shure m97xE
Pre-amplification: Vintage refurbished Pioneer SX-780.
Recorder: Sony PCM-M10 at 24bit/96kHz resolution
Software: AudacityClickRepairand xAct





March 25, 2018

Pramod Kumar: Le Sitar Indien [Arion ARN 34207] an LP released in France in 1973

This pleasant album has been reprinted in many different versions, with different titles and cover art. This particular LP has been manufactured in Italy, according to the labels. It is well recorded (as so many French albums are) and definitely deserves to be preserved and enjoyed.

There is not a tremendous amount of information on the internet about Pramod Kumar (1938-83) but he appears to have been an early disciple of Ravi Shankar and to have died at the young age of 45.

Unfortunately, the name of the tabla player is not mentioned -- a typical situation which persisted into the early 1980s.






side one: 
Raga Purya Kalyan

side two: 
Raga Shudh Sarang
Thumri based in Raga Sindhi Bhairavi
Dhun

Equipment used in transfer: 
Preparation: Ultrasonic cleaning for 20 minutes in pure clean water
Turntable:  Audio-technica AT-LP-1240
Cartridge: Audio-technica AT440MLb
Pre-amplification: Vintage refurbished Pioneer SX-780.
Recorder: Sony PCM-M10 at 24bit/96kHz resolution
Software: AudacityClickRepairand xAct






March 17, 2018

Nazakat and Salamat Ali Khan: Classical Music from Pakistan [CLP 1308] an LP released in England in 1959

We have here a very early LP by the vocal team of Nazakat and Salamat Ali Khan. 

For two other excellent LPs by them, I refer you to Tawfiq's superb blog posts here and here.

For a different transfer of this same album please see bolingo's wonderful blog here and for yet another LP released on the Hannibal Records label in the US, please see here. I've always wondered about that one on Hannibal -- as far as I can tell that was the only Indian Classical LP on the label. 

I have purchased a fantastic mono cartridge, the AT-mono3/LP. I've always been a little skeptical when I have read glowing reports of people listening to mono records with a "true" mono cartridge, as opposed to simply switching the pre-amplifier to mono. It is absolutely true that a monophonic cartridge designed to respond only to horizontal motion and not vertical motion will produce a sound that is cleaner and features less surface noise. The AT-mono3/LP is by far the best audio equipment I have purchased since buying an inexpensive Chinese-made ultrasonic cleaner on eBay.

Nazakat Ali Kahn: vocal
Salamat Ali Khan: vocal
Zahoori Khan: sarangi
Allah Dutta: tabla


Equipment used in transfer: 
Preparation: Ultrasonic cleaning for 20 minutes in pure clean water
Turntable:  Audio-technica AT-LP-1240
Cartridge: Audio-technica AT-mono 3/LP
Pre-amplification: Vintage refurbished Pioneer SX-780.
Recorder: Sony PCM-M10 at 24bit/96kHz resolution
Software: AudacityClickRepairand xAct










note: some apps which play FLAC files (such as "Golden Ear") will not play mono FLAC files. I would suggest if you are unable to play the FLAC file, then please convert to a .WAV or .AIFF file and all should be well and good. The resulting WAV or AIFF file will be approximately 4 times the size of the FLAC, however (about 40% data compression combined with doubling the number of channels).